Margaret Atwood, Good Bones, 'Alien Territory' (after a lot of stuff about how men don't have bodies):
"Those ones. Why do women like them? They have nothing to offer, none of the usual things. They have short attention spans, falling-apart clothes, old beat-up cars, if any. The cars break down, and they try to fix them, and don't succeed, and give up. They go on long walks from which they forget to return. They prefer weeds to flowers. They tell trivial fibs. They perform clumsy tricks with oranges and pieces of string, hoping desperately that someone will laugh. They don't put food on the table. They don't make money. Don't, can't, won't.
They offer nothing. They offer the great clean sweep of nothing, the unseen sky during a blizzard, the dark pause between moon and moon. They offer their poverty, an empty wooden bowl; the bowl of a beggar, whose gift is to ask. Look into it, look down deep, where potential coils like smoke, and you might hear anything. Nothing has yet been said.
They have bodies, however. Their bodies are unlike the bodies of other men. Their bodies are verbalized. Mouth, eye, hand, foot, they say. Their bodies have weight, and move over the ground, step by step, like yours. Like you they roll in the hot mud of the sunlight, like you they are amazed by the morning, like you they can taste the wind, like you they sing. Love, they say, and at the time they always mean it, as you do also. They can say lust as well, and disgust; you wouldn't trust them otherwise. They say the worst things you have ever dreamed. They open locked doors. All is given to them for nothing.
They have their angers. They have their despair, which washes over them like grey ink, blanking them out, leaving them immobile, in metal kitchen chair, looking out at the brick walls of deserted factories, for years and years. Yet nothing is with them; it keeps faith with them"
And, suddenly, I have a fancy reason to like all those rubbish, hopeless, and yes, often mentally unstable characters :)
Not that I imagine this is all of it, of course.
"Those ones. Why do women like them? They have nothing to offer, none of the usual things. They have short attention spans, falling-apart clothes, old beat-up cars, if any. The cars break down, and they try to fix them, and don't succeed, and give up. They go on long walks from which they forget to return. They prefer weeds to flowers. They tell trivial fibs. They perform clumsy tricks with oranges and pieces of string, hoping desperately that someone will laugh. They don't put food on the table. They don't make money. Don't, can't, won't.
They offer nothing. They offer the great clean sweep of nothing, the unseen sky during a blizzard, the dark pause between moon and moon. They offer their poverty, an empty wooden bowl; the bowl of a beggar, whose gift is to ask. Look into it, look down deep, where potential coils like smoke, and you might hear anything. Nothing has yet been said.
They have bodies, however. Their bodies are unlike the bodies of other men. Their bodies are verbalized. Mouth, eye, hand, foot, they say. Their bodies have weight, and move over the ground, step by step, like yours. Like you they roll in the hot mud of the sunlight, like you they are amazed by the morning, like you they can taste the wind, like you they sing. Love, they say, and at the time they always mean it, as you do also. They can say lust as well, and disgust; you wouldn't trust them otherwise. They say the worst things you have ever dreamed. They open locked doors. All is given to them for nothing.
They have their angers. They have their despair, which washes over them like grey ink, blanking them out, leaving them immobile, in metal kitchen chair, looking out at the brick walls of deserted factories, for years and years. Yet nothing is with them; it keeps faith with them"
And, suddenly, I have a fancy reason to like all those rubbish, hopeless, and yes, often mentally unstable characters :)
Not that I imagine this is all of it, of course.